Jardin de Al-Andalus

Posted By MiOd On Thursday, April 17, 2014 0 comments
Eduardo Paniagua, Wafir Sheik, Jamila Ghalmi, Luis Delgado ‎–
Jardín De Al-Andalus.
Música Arabigo-Andaluza De La Sevilla Medieval

01. Las Noches Del Encuentro 4:01
02. Consoladme 2:40
03. ¡Consoladme Niñas Al Alba! 5:01
04. El Nacimiento Del Profeta 6:28
05. Beyati 2:09
06. Bashraf Samaï Asba'ayn 6:01
07. ¡Eh Chicas! Mi Corazón Emocionado Y Dolorido 6:20
08. Traje Verde De Washy 2:55
09. Me Visitó Mi Amado 5:40
10. La Chica Soltera 2:44
11. Bashraf Samaï Síka 6:33
12. El Alba 2:46
13. Nana Andalusí 2:57
14. Despedidme 2:47

Composed By – Malúf* (tracks: 6, 11), Traditional (tracks: 1 to 5, 8, 10, 13, 14), Unknown Artist (tracks: 7, 9, 12)
Ensemble – Música Antigua - Eduardo Paniagua*
Laúd, Viola, Goblet Drum [Darbuga], Tar (Drum) – Wafir Sheik
Ney, Flute, Bendir, Pandeiro, Tar (Drum), Gong, Cymbal – Eduardo Paniagua
Percussion [Cantaro], Percussion [Naqarat], Goblet Drum [Darbuga], Pandeiro, Tar (Drum) – Luis Delgado
Vocals – Jamíla Ghalmí

192 kbps including Covers

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Nusrat Fateh Ali Khan - Ecstacy

Posted By MiOd On Thursday, April 17, 2014 0 comments
When Nusrat Fateh Ali Khan died at 49 in 1997 of renal failure, music lovers the world over mourned his untimely passing. The rotund, merry-faced Pakistani tenor had brought the joyous sound of qawwali, a Sufi (Islamic mystic) devotional tradition, intact and unadulterated to international audiences. Khan was descended from six generations of qawwals and, like his predecessors, he applied memorized religious texts and poems to intricate, improvised musical themes. Flanked by his party (accompanying musicians) on harmonium, hand claps, backup vocals, and tabla drums, Khan's exquisite, preternaturally flexible voice turned repetitive phrases and even nonsense syllables into trance-inducing incantations and audiences into dancing, raving, sobbing ecstatics. Even more astonishing, he could praise Allah while working with Western styles and musicians without losing an iota of his power or integrity. His bhangra-flavored experiments with Bally Sagoo are legendary, as are his collaborations with Michael Brook (Night Song), Peter Gabriel (Passion, the soundtrack for Last Temptation of Christ), and Eddie Vedder ("Long Road" from the Dead Man Walking soundtrack). His output was enormous; tapes of literally hundreds of his concerts are still in circulation. A mid-priced collection of traditional live tracks, Ecstasy is a good place to begin an exploration of his legacy. It features five long and fairly representative pieces, all of which display Khan's effortless technical aplomb and jubilant energy. Jameela Siddiqi, who produced the compilation, hosted the BBC's radio series Songs of the Sufi Mystics, which included Khan's last interview with a British journalist. Siddiqi also contributed to the Rough Guide to Nusrat Fateh Ali Khan and wrote the excellent liner notes.

1. Ecstacy
2. By The Candle Light
3. Magic Touch
4. Heart Of Gold
5. Love Comes At Home
6. Jewel
7. Prayer To Allah
8. Star Crossed

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Trio Chemirani - Qalam Kar

Posted By MiOd On Thursday, April 17, 2014 0 comments
The trio Chemirani brought the zarb drum to the forefront of contemporary Persian classical music.
Djamchid Chemirani is considered to be one of masters Teherani's most gifted sutdents. When he moved to paris in 1961, he became the most active advocate for the Zarb outisde of Iran. Djmachid students are no other than his two sons, Keyvan and Bijan, two percussionists who have been in high demand for several years now. And so the Chemiranis trio was born in 1988, like nothing ever seen in the West.

(01). Geisha Djan
(02). Chabnam ya tainz (Rosee du Martin)
(03). Le Retour de Molla Nasr'din
(04). Agar tche (Quoi Que)
(05). Qalam Kar
(06). Tom! Bac! and stay
(07). Komak
(08). Reng e Zamburak (danse de la guimbarde)
(09). Goftegou (Conversation)
(10). Bibi Khan
(11). Gerefte (Pris)
(12). Djam Djan
(13). Vaade Kardi (Tu as Promis)

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Crete: Psarantonis and Ensemble (Son of Psiloritis)

Posted By MiOd On Tuesday, April 15, 2014 0 comments
Psarantonis and Ensemble (Georgis Xylouris on 12-stringed laouto and Achilleas Perisides on the 8-stringed lauoto) create a dazzling interpretation of Cretan music. Each note reminds the listener of the ancient music of Byzantium. The pentatonic scale and unique harmonics hold the listener spell-bound and transfixed as if suspended in time. Most spectacular is the lyra which occasionally sounds soft, sometimes strong and loud as it crescendos and decrescendos with different playing techniques. At times the lyra almost sings each note, other times the instrument whispers or explodes with exuberance and energy. There are trills, vibratos and pizzicato variations. This whole CD is a unique extravaganza of creativity and technical expertise. It is a joy to hear. Psarantonis voice is clear, crisp and sensual. He can also sound raw and earthy with a hint of the untamed, just like the Psiloritis mountains in Crete. Keep in mind, when ordering this CD from amazon.com it is a "special order". This means it might take longer than usual to arrive. However, it is well worth the wait. Erika Borsos

"Psarantonis represents the higher gate of the Orphic secret scale, despite the fact that, according to all meaningless and insignificant modern "lyrical poets" whose labour is centred on the trivial and superficial embellishment of a cheap reproduction of the past, his scale is rather limited. Psarantonis' superb poetic value will henceforth deprive them of any chance of survival for the sake of posterity" by Yiannis Spyropoulos. "Once you meet a cretan lad you're overwhelmed by joy,lass, you wish it not and yet you smile without knowing why". MY gongratulations to Amazon.com for adding this superb record in the lists...And my gontratulation to who ever buy this one and others records of Psarantonis... And I suggest to all to come and visit Crete to saw him performing live in Crete Island, its fantastic

For those who are familiar both with the American music and the music from the wonderfull Mediterranean island of Crete the parallelism of Psarantonis and Bob Dylan is unavoidable. While deeply traditional, Psarantonis improvizes like nobody else. He is the brother of Nikos Xilouris (also called Psaronikos), the "nightingale of contemporary Greek music" who died of cancer at a young age. Psarantonis though has his own UNIQUE style, he is different both from his brother and from any other Cretan musician. This record of his adds to Psarantonis' fame as one of the most important modern traditional eastern Mediterranean musicians. This record is a "MUST" for all afficionados of this type of music. Congratulations to Amazon.com for including this record in its collection. Very enthousiastically, I recommend it to everyone!!!
Nikos Lassithiotis, Ph.D.

01. Petres peto tou fengariou (Throwing Stones at the Moon)

02. Ta koulourakia (The Tresses)

03. Agrimia ki agrimakia mou (Wild Mountain Goats)

04. Mikro kopelidaki mou (My Sweetheart)

05. Ene pouli icha sto klouvi (My Bird Has Fled His Cage): Ena pouli icha sto klouvi (My Bird Has Fled His Cage)

06. Mia perdika (A Partridge)

07. Syrtos

08. Mana poly malonis me (Mother, Stop Picking on Me)

09. Oso varoun ta sidera (Heavier than Iron)

10. Is ta Chania ein' ena nero (The Fountain of Chania)

11. Erotokritos

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Sufi Music of Turkey

Posted By MiOd On Sunday, April 13, 2014 0 comments
Sufi Music of Turkey
Kudsi Erguner & Suleyman Erguner
This is a powerful recording of Middle Eastern music. Kudsi plays nay with Mahmoud Tabrizi Zadeh adding the scintillating sounds of the santur (a type of hammer dulcimer) and the sensual melodies of the kemantche (a bowed string instrument). Bruno Caillat also plays zarb and tabla.

1. Tales From The Ney
2. Semai
3. Zikr
4. Prelude of Ceremony
5. Voyager
6. Balade
7. Aksak Semai
8. Wordless Prayer

Ney – Suleyman Erguner
Ney, Percussion [Frame Drum] – Kudsi Erguner
Ole Henrik Moe - Tre Persefone violin

Recorded at Ztudio Zerkall, Germany, July 1990

Flac tracks (EAC Rip): 310 MB | MP3 - 320 kbs: 155 MB | Covers

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Kali City (feat. Le Trio Joubran) - Kali City

Posted By MiOd On Saturday, April 12, 2014 0 comments
Karim Baggili has dreamt of Kali City, his latest release, for a long time. With this album the Belgian musician, of Jordanian - Yougoslav origins, puts down his guitar and picks up his oud. A lute inseparable from an Arabic music that the artist has always carried in his heart and to which he pays a homage whose secret he has. As he summarises "It rocks me, it pierces me, I adore it".

During the course of two parts, the first with Trio Joubran and the second surrounded by his "Arabic Band" with its traditional instruments (kawala, ud darbuka), Karim Baggili invites us on a journey to the east and this Jordan of which he keeps so many memories.

Karim Baggili's 'Kali City' is a journey of two parts - the first featuring the acclaimed Trio Joubran, while in the second Baggili is surrounded by his 'Arabic Band' and their traditional instruments - kawala, oud darbuka. Visit the sounds of Jordan, a treasure trove of Baggili's memories.

Without simply offering traditional airs, he opens the door to modern and offbeat compositions, taking inspiration from what makes up his identity, adding his personal touches in order to finally recall that music can and must sometimes go beyond frontiers to provide other sensations and open horizons.

01. Down Town (feat. Le Trio Joubran)

02. Ella & Jad (feat. Le Trio Joubran)

03. Dawn at Sea (feat. Le Trio Joubran)

04. Big Fish (feat. Le Trio Joubran)

05. Silent Stories (feat. Le Trio Joubran)

06. Fly to

07. Kali City

08. Toummaï

09. Arabic Circus

10. Kalimaat

11. Nuit Obelaetis

12. La Tinsini

13. Amar

FLAC (EAC Rip): 360 MB | MP3 - 320 kbs: 100 MB | Booklet Scans

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Mamani Keita - Kanou

Posted By MiOd On Friday, April 11, 2014 0 comments
Mamani Keïta, one of the leading vocalists of Mali has a new album titled Kanou (World Village) scheduled for release February 11, 2014. Kanou means ‘to love’ in her native Bambara. The album features self-penned songs.
In the title song, Mamani Keita sings about loving your partner “more than silver and gold”. She conveys her support to the children of the Earth on “Dougalé” and an ode to hope on “Djigihia”. Mamani Keïia cites the figures and mentors who have directed her through music and through life on “Deliko” and challenges the world’s leaders to carry out their responsibilities in “Anissu”and “Dounia”.

Mamani Keita has collaborated with Dee Dee Bridgewater, Hank Jones, Eric Legnini, Tama, Check Titiane Seck, and others. After Electro Bamako (2002) devised with Marc Minelli, Yelema (2006) and Gagner l’argent français (2011), both produced with Nicolas Repac, Keita leaves the electronic, jazz and rock arrangements, allowing her vocals to interweave with the the ngoni of virtuoso Moriba Koita and the guitar of Djeli Moussa Kouyaté of Bamako Rail Band fame.

01. Djalal Kibali
02. Kanou
03. Demissenou
04. Fanatan
05. Dougale
06. Dounia
07. Djigihia
08. Anissu
09. Deliko
10. Mogobaou
11. Marie Massa

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Samba Diabate & Vincent Zanetti - Kala Jula

Posted By MiOd On Thursday, April 10, 2014 0 comments
Kala Jula brings together two multi-instrumental masters of Manding music - Swiss percussionist/guitarist Vincent Zanetti and Malian guitarist/ngoni player Samba Diabaté for a wide range of mostly acoustic instrumentals in a West African style.

Vincent has been studying and recording Manding music for decades, helping set up an cultural institute in Mali. He and Samba groove together effortlessly and relaxedly and Jean-Phillipe Zwalhlen adds ambient electric guitar textures on most tracks. In Malinke, the word kala refers both to a hunter's bow and to the handle of a tool, which could be the neck of a lute or a drumstick or mallet. Jula is the name for a man who travels abroad to fulfil his destiny. Originally, Kala Jula referred to the traditional Manding hunters whose campaigns took them far away for a long time. So, by extension, the album is dedicated to and named after 'people brave enough to leave the beaten track, cross cultural borders and open themselves to others.'

Partial lyrics:

Nothing gets me right like your eyes
In the evenings when i do pour myself a drink to you with shaky eyes

The man down the street don’t believe me
Says I should start a loser’s movie,
I could swing from tree to tree
In the Jungles of your heart and i
Plan on sleepin late
Can’t sound dumb so I don’t take
I’m closer than freedom behind bars (the earth is to Mars..moon is to a star)

I’ve been thinking about politics
It’s got my mind going tick tick tick
And i think of it so I don’t think of you
Sippin lemonade
I raise my glass to you and those times too

Partial lyrics:

Don’t be discouraged, don’t let the papers make you all depressed
Don’t feel rejected when someone tells you that you’re Second best
I wouldn’t worry, that won’t get you anywhere
Coz you’re living it up, lying around in your underwear

We all want answers, we want the secret to our happiness
Some say they’ve found it
More than likely its a second guess
They’re not so special, you can find those people anywhere
living it up, lying around in your underwear

it don’t do anything for me
the stuff it plays ain’t really hip these days but it gets me where I wanna be

Just bite the bullet, drink a bottle of cold hard facts,
No use pretending, I don’t think you’re gonna get her back

Sometimes i get hassled cos I look
At the supermarket in my cowboy hat someone wants to rearrange my face
I stay away from trouble because there’s so much of it about
I don’t comment it on my baggy pants with my underwear hangin out

Just keep on reachin for the stars shinin in your eyes
That’s what they tell you when they really should apologise
Not even NASA could even get a body up there

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Luis Delgado - As-Sirr

Posted By MiOd On Tuesday, April 08, 2014 0 comments
Luís Delgado
As-Sirr (Nube Negra, Spain)
This exploration by noted musician and scholar Luís Delgado centers on the medieval muwaxahas: a poetic form originating in Al-Andalus, which within a short time extended all over the medieval world.

The new adventure of Luis Delgado centers on medieval music that led him to the muwaxahas: a poetic form originating in Al-Andalus, which within a short time extended all over the medieval world. A poetry that influenced not only Arabic-speaking poets but also German Minnesingers, Troubadours Occitains, the Cantigas of King Alfonso X and the Franciscan Jacopone da Toddi in the XIVth century.
The muwaxahas on this album present a very particular characteristic: they are written in different languages. The poems close with a verse called “jarcha” that sometimes shows certain similarities in different muwaxahas as well as specific popular elements; frequently interpreted by women.

Until today hundreds of investigations concerning the muwaxahas have been published; but there are only a few which followed the way back to their original environment: the music. And although “jarchas” have been used in a handful of compositions, until today no musician has interpreted a complete muwaxaha.

Once again Luis Delgado decided on a Moroccan singer, his habitual collaborator Mohamed Seghini el Arabi, who for the first time should give voice to these poems. While listening to the CD and crossing the soundscapes of the ancient Moslem Spain resounds the echo of the jarcha: “Ya mamma, mew el habibe, bais e no mas tornarade.”

On the album we will find five muwaxahas with their correponding jarchas, whose lyrics trace back to Spanish poets from the XIth to the XIVth century. The music composed by Luis Delgado follows the aesthetic structure of Al-Andalus. The album includes two instrumentals as well as two songs based in the traditional Al-Andalus Moroccan repertoire. The booklet contains detailed information that give the listener an insight into the historic context.

Tracks
El Jazminero
Albo Diya
Asa Sanarey
¡Ya Corazón!
El Tesoro de Fustat
Bilaya
As-Sirr
Gaybatuk
Duna Luminosa
El Increíble Viaje de
Musicians:
Luís Delgado: oud califal, oud oriental, laud español, guitarra ebow, bandurria, cumbuç, guimbri, saz, santur sampler, suissen, teclados, mellotron, dohola, darbuka, tar, bendhir y karakebs
Mohamed Serghini el Arabí: voz, alto aldalusí, darbuka, tarija y tar andalusí,
María Luisa García Sánchez: voz
Yammal Eddine ben Allal : violín y oud oriental
Jaime Muñoz: kaval, murali, axabeba, clarinete y bansuri
César Carazo: viola de brazo y coros
Cuco Pérez: piano
Javier Bergia: darbuka solista

FLAC (EAC Rip): 370 MB | MP3 - 320 kbs: 140 MB | Booklet Scans

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