Belly Dance with Warda & Abdel Halim Hafiz

Posted By MiOd On Thursday, August 29, 2013 Under ,
Setrak And His Belly Dance Orchestra
Belly Dance with Warda & Abdel Halim Hafiz

Warda al Jazairia - The Rose of Algeria: She was born near Paris in Puteaux in July 1940. The youngest of five children. Her father, Mohammed Ftouki was one of the first Algerian immigrants to France, ran a hostel for migrant workers at Boulogne-Billancourt then became the owner of an Arabic music cabaret in the Quartier Latin called the Tam-Tam (named after the three initials of the three Maghreb countries, Tunisia, Algeria, and Morocco). She used to sneak out of her room every night and hide in one of the corners for two or three hours to listen to the band while they were playing or rehearsing in her father's night club below and then she would sing for her self the next morning. In those days Warda was unable to write any Arabic, she always had to ask her older brother to write out all her Arabic songs in the Latin alphabet. From time to time Warda's father was tolerant enough to allow his daughter's brief appearance on a stage of his club at the request of a friend. Warda's mother was a Lebanese born in Beirut in a Moslem family of good social position. She had taught Warda every Lebanese song of some importance. Thus the girl's liking for the Middle Eastern song had developed. She was only a little girl when she would sing songs by Abdelwahab or Farid Elatrash. Ahmad Tejani, a friend of Warda's father, was working for a famous record company, Pathè Marconi-EMI (now EMI France), which used to produce children's programs for North African Arabs in France on the Paris radio station. During one of his visits to the TAM TAM club he heard her singing and liked her voice so much that, shortly after, he presented her to the radio and she participated in the show with a song called "Song for the Mother". In 1958, as Paris was more and more concerned by the development of the Algerian War of Independence, the whole family had to seek refuge in Beirut where she went on singing militant songs. The whole family lived in a small apartment in Al Hamra Street in Beirut. When Warda started singing in Tanyos, a famous night club in Aley, she was only 17 and her national songs were hardly the style for night clubs. On one of the nights when she was performing Mohamed Abdul Wahab was among the audience. At the end of her performance he approached her and proposed that he compose for her, such a proposal she could not refuse. He was to become, throughout her career, her "godfather". His extremely demanding, almost tyrannical, working methods would change her forever. For the "Oustaz" (The Master) the only price of glory was hard work and dedication, and this was a challenge for Warda for she had to learn how to write Arabic and to erase her Algerian accent. In 1959, in Syria, the great composer, Riad al Soumbati heard her performing a nationalistic song called "Koulouna Jamila" during Damascus Festival and was seduced by her voice. He decided to invite her to Cairo where he was to compose many songs for her among them "Loubat el Ayyam" and "Nida el Dhamir". When she arrived in Cairo in 1960, Riad Sombati was willing to help her: he set two music poems by an Egyptian poet: "Ya huria ana bendahlek" (I am calling you, O Liberty), "Dalia Djamila", in honor of Palestine, and he also composed the musical part of a play "Alikhwa thalata Deir Yassine" (The three brothers from Deir Yassin). In 1961/1962 the Egyptian President, Gamal Abdel Nasser asked that she participate, as the representative of Algeria, in a song for the Arab world called "Al Watan Al Akbar". This song was composed by Mohamed Abdel Wahab and Warda had the chance to appear alongside other famous singers such as Abdel Halim Hafez, Sabah, Fayza Ahmed, Najat al Sagheera and Shadya. The film director Helmy Rafla heard Warda and put her forward for a major role in his film "Almaz Wa Abdu Al Hamoly". For this film both Mohamed Abdel Wahab and Farid el Atrache were to compose her songs. In 1962, Algeria became independent. In 1963, she flew there for the first time to marry a former high ranking officer in the National Liberation Army (ALN) she had met during her stay in Lebanon. Her husband asked her to give up singing to look after her family - which she did for ten years but was very, her career seemed to be definitively over. But in 1972, Houari Boumedienne, the President of Algeria, asked her to participate in the celebration of the 10th Anniversary of the Independence. She agreed, with the result that her marriage broke down. ElMassia Egyptian orchestra was sent to accompany her singing her comeback song: "Ad'uka ya amali", a poem by the Algerian poet Salah Kharfi, music by Baligh Hamdi. In December of the same year she left for Cairo where she became very rapidly one of the most famous Arab singers with "Elûyûn essûd", "Khallik Nena" and other songs in the same vein composed by Baligh Hamdi, whom she had just married. She began working with the most famous composers of the time, Riad al Soumbati, Baligh Hamdi (whom she was later to marry and who was to compose so many of her successful songs during ten years), Kamal al Tawel, Said Mekkawi and of course, the "Oustaz" Mohamed Abdel Wahab. She played a part in two films: "Sût elhob" (The voice of love) and "Hikaiti maa ezzaman" (My fate and me), in which she sang works by M. Abdelwahab, Kamal El Tawil, Mohammed Elmûgui and by her husband Baligh Hamdi. In recent years she has worked particularly closely with the composer Salah el Sharnoubi, the lyricist Omar Batiesha, the musician Tarek Akef and producer Mohsen Gaber (Alam El Fan), an association which led to three of her albums receiving the award of "Best Album of the Year" in 1991, 1992 and 1994. Warda al Jazairia - The Rose of Algeria - has always brought joy and pleasure, through her art, talent and magical voice, to her many fans and admirers across the Arab world and globally through more than 300 carefully chosen songs and with concerts booked all over the world.

Abdel Halim Hafez: Despite a fairly short career, singer/movie-actor Hafez was one of the most influential Egyptian stars of the 1950s and '60s. His mellow, resonant voice, subtle vocal style and notably clean intonation marked him out, along with a liking for long, seemingly endless musical phrases. When Mohamed Abdel Wahhaab switched from singing to composition, he pretty much stepped into his shoes. Born in 1929, Abdel Halim studied at Cairo's Institute of Arabic Music and the Higher Institute for Theatre Music, and began his career teaching and playing oboe before taking aim at vocal stardom. His first hit came in 1951, and he soon signed a contract with Abdel Wahhaab to sing his songs and appear in his films. During the 1960s, he started to sing colloquial poetry more colorful and meaningful and nearer to popular folk song than ordinary pop songs, and his work on these lines had a significant influence on popular song in general. He cofounded a film company and the Saut el-Fann record label in the early '60s, and remained a major star until he died in 1977 of Bilharzia, which he had caught as a child and which had begun to affect him intermittently from 1955 onward.

01 . WALAOU INAK YA HABIBI BAID
02 . ANDAM ALEK
03 . KHALIK HENA
04 . TAKASSIM ORGUE
05 . AHL EL HAWA
06 . TAKASSIM ACCORDION
07 . AYZA MOUGIZA
08 . TAKASSIM GUITAR
09 . AL EH BISALOUNI
10 . AY DAMHET HOZN
11 . NBTEDI MENEN AL HIKAYA
12 . HAWEL TFTEKERNI
13 . MAWOUD
14 . TAKASSIM NAY
15 . KARAAT EL FINGAN
16 . FI YOUM WA LILA

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