Habib Koite & Bamada - Baro

Posted By MiOd On Tuesday, October 22, 2013 Under
Now with his third album, Habib Koité has grown into a real triple threat. Not only is he a superb songwriter and singer, he's also a trained guitarist of remarkable style and invention, whose playing inspiration comes from native instruments, such as the harp-like kora--he often imitates its rippling runs--or the lute-like n'goni. Koité is very rooted, both in his own playing and that of his band, Bamada, but the structure and harmonies of his songs are readily accessible to Western audiences, a move away from the more bluesy idioms of, say, Boubacar Traore. Add to that a lilting, seductive voice, and Koité basically has all the goods in one package. At the same time, this is no compromise album in search of stardom in the West. This is very much the real Mali deal, as is apparent in the last few cuts, when the band switches to a more Wassoulou approach (from the south of the country, and typified by singers like Oumou Sangare), with its harsher, drier tone. But by then you've been won over. Koité is, without doubt, a major talent, and this record could well be his breakthrough to the big time. He's paid his dues and earned his status. The man is a star.

Mali is a country near the West Coast of Africa & home to many talented world-class musicians. Habib Koite & his band, Bamada, are among this elite group. This CD consists of *ALL* original compositions and songs written by the artist. The music is ambient, soothing, soulful and very pleasing. It is played on both modern and traditional instruments, making it very authentic. The acoustic guitar, flute, bass guitar, combine with the African instruments, calabassa, kamali ngoni, caragnan, tamani, tamamba, guiro, dum dum & balafon. The Mali language sounds poetic and lyrical ... translations to the songs in the liner notes gives us a cultural perspective to the words & music. We learn that "tere" is a form of superstition that applies to women. Habib sings and asks if men also have "tere", which refers to being given a "sign" or "message". In the song, "No More Cigarette", one wonders if Habib is writing a 'protest' song against the tobacco industry. In effect, foreign countries have created a costly habit which infects the youth of Mali ... We learn that "Baro" is a form of teasing or arguing, a custom of certain ethnic groups in Mali. It is allowed in long-standing relationships where harmony and peaceful coexistence occurs. Habib provides a very delightful song about this custom. We are told "takambes" is a dance from Northern Mali which demonstrates grace and beauty, as a symbol for love, friendship, faithfulness. Habib creates music for this type of movement. The listener feels the message through the harmonies and rhythms created by the instruments & voices. This CD transcends cultures and has universal appeal. The music is uninhibited, lyrical and poetic.

01. Batoumambe
02. Kanawa
03. Wari
04. Sin Djen Djen
05. Cigarette Abana
06. Woulaba
07. Baro
08. Sambara
09. Roma
10. Tere
11. Mali Sadiro
12. Takamba
13. Sinama Dehw

Flac (EAC Rip): 370 MB | MP3 - 320 kbs: 150 MB | Front Cover

Archives have 5% of the information for restoration

Part 1 | Part 2 | Part 3

OR MP3 320 kbps


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